ELAC Miracord 50 is a turntable with a die-cast aluminum platter and a multi-layer plinth designed to dampen vibrations, ensuring high-quality sound performance. It includes a fully manual operation and a built-in phono preamplifier, making it user-friendly and versatile. The sound quality emphasizes a smooth, warm midrange and controlled bass, though the built-in preamp might lack some bass depth compared to external options. The turntable is complemented by its classic design with a high-gloss lacquered walnut veneer, offering both vintage charm and modern functionality at an affordable price.
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Contents
Intro
ELAC returned to turntables releasing the beautiful model Miracord 90 Anniversary and then introduced other designs, a bit cheaper – Miracord 70 and 50. This is not the end, because at the May 2018 event in Munich, another Miracord – 60 was presented. Meanwhile, I will present the cheapest model but the number 50 has its history – it was the Miracord 50H, which was offered in the 1960s and 1970s, that is considered one of the most important achievements of German turntable technology and an example of German reliability because many 50H units are still in use.
ELAC has established the style of its modern turntables with the Miracord 90 Anniversary. A high, bulky plinth is characteristic, resulting from the design idea and the good insulation of the hidden electronics.
The Elac Miracord 50 is much more modest, but you can see a similar approach. The plinth is rounded at the edges, the finish of the sidewalls, the front and back are matte (silver gray), and the top – is black high gloss.
The platter is beautifully cut off from it – with a shiny silver rim – and simultaneously in harmony with the rest of the base. The tonearm is a structure based on a straight tube with a socket and an angular head with an openwork spine screwed into it. The tonearm has an effective length of 223.6 mm (8.8 “), and the bearings are stainless steel. The base of the tonearm is fitted with a convenient anti-skating adjustment with a small knob, which is typical of many Japanese turntables.
Construction
Elac Miracord 50 is a fully manual construction, without any electronic accessories. The plinth has a multi-layer structure to dampen vibrations. The die-cast aluminum platter is damped on the inside with a thick rubber.
From the DC motor, the torque transfers the belt to the inner, smaller plate collar. Inside the plinth, a sensor reads the rotation of the main bearing (on which the platter rests, and therefore the plate). At this point, the rotational speed should be ideal (according to the selected standard).
In the coupling system, the sensor transmits data to the microprocessor on an ongoing basis, which makes the necessary corrections. There are two rotary speeds (33.3 and 45 rpm), set by a knob, the central position of which switches the drive off.
Assembly
Today, turntables without complete factory equipment and at least partially calibrated do not exist on the market of popular devices. ELAC provides absolutely everything you need.
Unpacking and assembling the turntable is a matter of a few easy steps. First, attach the headshell (with the cartridge), the counterweight, and the platter. ELAC has already set the tracking force of the needle at the factory, but you can still adjust it, as well as the anti-skating.
- Superior isolation is achieved with a chassis designed to minimize the sonic effects of vibration and feedback.
- A low-noise DC Servo motor drives a die-cast, High-inertia aluminum platter with special record mat via a rubber belt,...
- The tonearm is a static-balance, straight-tube design with precision bearings, built-in anti-skate adjustment and...
- The Mira cord 50 comes complete with a built-in defeat able phono preamp for correct RIAA equalization. No costly phone...
- Styled to complement any interior, the Mira cord 50 is available with a silver chassis and gloss-black plinth. A hinged,...
The cartridge was screwed to the headshell, and the whole thing was precisely adjusted. Due to the safety of delicate elements, it is not possible to transport the turntable with a screwed counterweight (although some manufacturers have redesigned this element so that it also works). The hardest part can be attaching the dust cover hinges, which fit tightly. Increasingly, inexpensive turntables are equipped with integrated correction preamp modules.
Probably due to user feedback (when the turntable did not have a preamplifier), where users were surprised that the sound was not as it should be, they did not know why, and when they found out (or not), they felt betrayed. So, the ELAC Miracord 50 has a preamplifier. The rear panel looks very classic (as in many competing turntables), with a pair of RCA sockets, a grounding pin, a power connector (the power supply itself is an additional, small, wall cube), and a mode switch (with or without equalization).
The Cartridge
For the so-called first assembly, Elac chose an Audio-Technica MM cartridge, the AT91 model, officially discontinued, or at least not available in retail sale.
Perhaps Audio-Technica still offers it to OEM customers, or perhaps the manufacturers themselves have their stocks. In terms of construction, the AT91 is a cartridge with a replaceable needle with a basic conical cut.
The output voltage level is the standard 3.5 mV (according to Audio-Technica), but Elac defined this parameter as 2.5 mV. Perhaps we are dealing with some special edition (a different magnetic system?), or this is just a mistake.
It doesn’t matter, anyway, the cartridge will work flawlessly with almost every phono preamplifier. The AT91 is a very similar design to that used by Denon in the DP-450USB.
This model of the cartridge is now replaced with an ATN91 cartridge.
Looking at the arrangement of many elements of the Elac Miracord 50 turntable: tonearm, drive, connection panel, and also (or maybe most of all) the packaging, I think of a few other similarly built turntables: from the Teac, Reloop … and I would probably find more.
None of them are exactly like the Miracord 50, but the similarities suggest that production takes place in the same factory. This is by no means a reason to be ashamed, the next NAD C558 was in turn made in the Pro-Ject factory, from where the turntables for Music Hall come from, and McIntosh orders its designs from Clearaudio…
ELAC Miracord 50 Sound Test
The general assumptions of the Miracord 50 sound are similar to those of the Denon DP-450USB. There is nothing extraordinary about it, many turntables in this class implement the well-established “analog” presentation.
Also in the Miracord, the midrange is important, compared to the Japanese competitor, even smoother, sweet, creamy, “caressing”, and at the same time stable and well saturated, smoothly connected with the low registers.
The Elac Miracord 50 is great at focusing vocals (and other foreground sounds), focusing attention on the most important sounds.
The snare drum and percussion tones are even quite dynamic, and the guitars are vibrant, strong, and distorted. The Elac Miracord 50 can cope with delicate recordings, and it is especially fond of them.
Here, however, it is worth paying attention to the influence of the built-in preamplifier. With its operation (i.e. when the turntable is connected to the line input of an external amplifier), the sound is soft in the midrange but short on the bass – economical, with good control, and without low extensions.
Other (external) preamplifiers have shown that this can be changed, achieving a more massive, abundant, and free sound. It must be admitted, however, that the built-in preamplifier is surprisingly good in terms of transparency, this cannot be easily improved.
The output level (with the equalization turned on) is low – this is not a problem in the case of an integrated amplifier with standard sensitivity (and at least average output power) and we should not be bothered by the desire to adjust the volume knob to areas much further than in the case of a CD player.
ELAC Miracord 50 Video Review
ELAC Miracord 50 Specifications
Turntable Section:
- Drive System: Belt Drive
- Motor: DC Motor
- Selectable Speeds: 33-1/3 and 45 RPM
- Motor Servo: Speed Rotation and Servo System
- Rotation Speed Variation: +/- 1%
- Wow and Flutter: 0.1%
- Signal-To-Noise Ratio: -67 dB or higher (A-weighted) -60dB or higher (unweighted)
- Platter: Aluminum die-cast
- Platter Diameter: 0 in / 300 mm
Tonearm Section:
- Type: Aluminum tube, static-balanced
- Effective Arm Length: 8in / 223.6 mm
- Stylus Pressure Range: 0 to 4 g
- Cartridge Weight Range: 3.5 to 6g
- Effective Arm Mass: 27.4 g
- Overhang: 18.6 mm
- Offset Angle: 25 degrees
- Anti-Skating: Adjustment Supported
- Main Bearing: Stainless steel
Cartridge Section:
- Type: Audio-Technica AT91 moving magnet
- Stylus Construction: Bonded diamond
- Mount: Half-inch
- Frequency Response: 20 Hz to 20 kHz
- Channel Separation: >18 dB
- Channel Balance: 2.5 dB
- Vertical Tracking: Angle 20 degrees
- Stylus Pressure: 2.0 g +/-0.5 g
- Cartridge Weight: 5.0 g +/-0.5 g
- Stylus Pressure: 2.0 g +/-0.5 g
- Headshell Weight: 0 g (including screws, nuts, and wires)
Phono Equalizer Amplifier:
- Type: Moving magnet (MM)
- Phono Output: 2.5 mV (1 kHz, 3.54 cm/sec)
- Line Output: 140 mV (-17 dBV)
- Phono/Line: Switchable
- Supported Load Impedance: 47 kΩ
General:
- Connector: RCA pin jack including RCA cable accessories
- Voltage: 100 to 240 V AC / 50 to 60 Hz
- Power Consumption: 1.5 W (less than 0.5 W at standby)
- Dimensions: (WxHxD) 5.5 x 16.05 x 14.20
- Weight: 12.10 lb
You can download & view the manual here->ELAC Miracord 50 Manual
Final Verdict
This is the cheapest model in the Miracord family but keeps the style of the prestigious 90 Anniversary. High and elegant plinth, belt drive with electronics stabilizing rotation, straight arm with an angled headshell. The set includes a basic MM cartridge by Audio-Technica.
The sound of the ELAC Miracord 50 turntable is potentially strong and spacious (with a good external preamplifier), with a built-in one – lighter, but always with a dense, sweet midrange.
Crackling Sound was created to provide straightforward, unbiased reviews of audio products, catering to those who want excellent sound without delving into complex audiophile terms. I aim to simplify the decision-making process for my readers.
As an audio enthusiast and self-builder for over 20 years, I ensure my reviews are honest, highlighting both advantages and disadvantages. I conduct sound tests to deliver comprehensive and reliable information about various audio devices. My extensive experience in DIY projects, experimenting, installing, and using high-end audio gear helps me provide thorough and comparative reviews.